Executive Overview In the shadowy corridors of the neonatal intensive care unit (NICU), where human vulnerability is met with the unyielding, synthetic pulse of life support, composer and saxophonist Jon Armstrong found himself engaged in a desperate, profound act of sonic translation. Out of the harrowing experience of his son Breen’s extreme premature birth—arriving at … Read more
Executive Overview Earlier this year, acclaimed Northern Irish singer-songwriter Joshua Burnside released his most emotionally charged and vulnerable body of work to date: It’s Not Going to Be Okay. Written and recorded in the immediate, agonizing wake of the death of his best friend and fellow musician, Dean Jendoubi, the album is far more than … Read more
Executive Overview For decades, Native Instruments’ legendary soft-synth Absynth occupied a distinct, almost mystical corner of the electronic music production universe. Widely celebrated for its sprawling multi-stage envelopes, deep modulation matrix, and capability for vast, cinematic soundscapes, Absynth was traditionally championed by film composers, ambient experimentalists, and IDM architects. Yet, beneath its ethereal, evolving pads … Read more
Executive Overview Long celebrated for its deep modulation architecture, sprawling multi-stage envelopes, and legendary capacity for cinematic soundscapes, Native Instruments’ Absynth has always transcended the boundaries of a traditional synthesizer. While electronic music producers historically pigeonholed the instrument as a specialist tool for evolving pads, haunting sound effects, and ambient drone textures, its underlying engine … Read more
