Crafting a Musical Geography: Sam Newbould’s One Day We’ll Have a Window and the Evolution of Modern Jazz
Executive Overview In the contemporary landscape of improvised music, few artists map their internal and external geographies with as much intentionality as composer and saxophonist Sam Newbould. Over the course of a steadily accumulating discography—marked by the evocative rural memories of Blencathra and Bogus Notus, followed by the outward-looking communal reflections of Homing—Newbould has established … Read more
